jaeduk, KIM?

김재덕 예술감독 외부작품 연혁(작품별)

Tension Espacial

2015년 3월20~22일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 3회 공연

4월 27일 아르헨티나 차코 Sanez Pena ‘Compleio Cultural Chaqueno’ ‘Tension Espacial’ 안무 1회 공연
29일 아르헨티나 차코 Resistencia ‘Centro Cultural Guido Miranda’ ‘Tension Espacial’ 안무 1회 공연

6월 17일 아르헨티나 부에노스아이레스 ‘Teatro Margarita Xirgu’ ‘Tension Espacial’ 안무 1회 공연

8월 5~6일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 2회 공연
12~13일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 2회 공연
19~20일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 2회 공연
26~27 일 아르헨티나 부에노스아이레스 ‘Teatro Margarita Xirgu’ ‘Tension Espacial’ 안무 2 회 공연

TEMPO SINGULAR

2015년 4월 브라질 상조제두히우프레투 'Virada Cultural Paulista’ 'SESC Rio Preto’ ‘TEMPO SINGULAR’ 안무
        7월 브라질 마라냥 ‘Mostra 15 anos pulsando’ 'Teatro Arthur Azevedo’ ‘TEMPO SINGULAR’ 안무
        브라질 포르탈레자 'Festival de Dança de Fortaleza’ 오프닝 갈라 'Teatro José de Alencar’  ‘TEMPO SINGULAR’ 안무

11월 아르헨티나 코르도바 'Festival Pulso Urbano’ 오프닝 갈라 'Teatro San Martin’  ‘TEMPO SINGULAR’ 안무

Hey Man!

초연: 싱가포르 미콘텍트 컨템포러리 댄스 페스티벌
2012작품별 정리 (김재덕 예술감독 외부이력)

Tension Espacial

2015년 3월 20~22일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 3회 공연

4월 27일 아르헨티나 차코 Sanez Pena ‘Compleio Cultural Chaqueno’ ‘Tension Espacial’ 안무 1회 공연
29일 아르헨티나 차코 Resistencia ‘Centro Cultural Guido Miranda’ ‘Tension Espacial’ 안무 1회 공연

6월 17일 아르헨티나 부에노스아이레스 ‘Teatro Margarita Xirgu’ ‘Tension Espacial’ 안무 1회 공연

8월 5~6일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 2회 공연
12~13일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 2회 공연
19~20일 아르헨티나 부에노스아이레스 ‘Centro Nacional de la Musica y la Danza’ ‘Tension Espacial’ 안무 2회 공연
26~27 일 아르헨티나 부에노스아이레스 ‘Teatro Margarita Xirgu’ ‘Tension Espacial’ 안무 2 회 공연

TEMPO SINGULAR

2015년 4월 브라질 상조제두히우프레투 'Virada Cultural Paulista’ 'SESC Rio Preto’ ‘TEMPO SINGULAR’ 안무

7월 브라질 마라냥 ‘Mostra 15 anos pulsando’ 'Teatro Arthur Azevedo’ ‘TEMPO SINGULAR’ 안무

브라질 포르탈레자 'Festival de Dança de Fortaleza’ 오프닝 갈라 'Teatro José de Alencar’  ‘TEMPO SINGULAR’ 안무

11월 아르헨티나 코르도바 'Festival Pulso Urbano’ 오프닝 갈라 'Teatro San Martin’  ‘TEMPO SINGULAR’ 안무

Hey Man!

초연: 싱가포르 미콘텍트 컨템포러리 댄스 페스티벌
2012, Esplanade Theatre Studio (Singapore)

2014년 5월 부산 ‘BIDF’ 'Hey Man!’ 안무 
        6월 폴란드 카토비체 'International Dance Festival Cultural Ecotopias’ 'Hey Man!’ 안무

Present

연: 싱가포르 국립 대학교  ‘NUS Arts Festival 2013 ’ ‘Present’ 초연 T.H.E Dance Company 공동안무
2013년 8월 중국 하이커우 'Haikou International Youth Experimental Arts Festival’ T.H.E Dance Company 공동안무 
2015년 8월 서울 '아시아뉴댄스 국제무용제’ T.H.E Dance Company 공동안무

 
RE:OK...BUT!
2011년 싱가포르 에스플란에이드 극장 스튜디오 ‘싱가포르 미콘텍트 컨템포러리 댄스 페스티벌’ ‘RE:OK...BUT!’ 초연 안무 
2013년 10월 인도네시아 파당 ‘Padang Bagalanggang 페스티발’  ‘RE:OK...BUT!’ T.H.E Dance Company 공동안무 
10월 서울 ‘SIDance 페스티발’  ‘RE:OK...BUT!’T.H.E Dance Company 공동안무 
2014년도 9월 콜카타 인도 ‘INTERFACE 페스티발’  ‘RE:OK...BUT!’ T.H.E Dance Company 공동안무 
11월 중국 광저우 '제 11회 광둥성 댄스 페스티발’  ‘RE:OK...BUT!’ T.H.E Dance Company 공동안무 
2015년도 6월 카토비체 폴란드 ‘International Dance Festival Cultural Ecotopias’  ‘RE:OK...BUT!’ T.H.E Dance Company 공동안무 


Organised Chaos

2012 싱가포르 에스플란에이드 극장 스튜디오 ‘싱가포르 미콘텍트 컨템포러리 댄스 페스티벌 2012’ ‘Organised Chaos’ 초연 공동안무 
2015년도 6월 부산 ‘부산 국제 무용제’ ‘Organised Chaos’ 안무 
7월 중국 베이징 ‘베이징 댄스 페스티발’ ‘Organised Chaos’ T.H.E Dance Company 공동안무 
12월 쿠알라룸푸르 ‘d’MOTION International Dance Festival’ ‘Organised Chaos’ T.H.E Dance Company 공동안무 

MR.Sign
2013 12월 말레이시아 Damansara 극장 ‘D’Motion Festival’ ‘MR.Sign’ T.H.E Dance Company 공동안무
     12월 싱가포르 에스플란에이드 극장 ‘CONTACT Festival’ ‘MR.Sign’ T.H.E Dance Company 작곡 및 공동안무

Bohemian Parody

2010년 싱가포르 T.H.E Dance Company 안무초청 ‘Bohemian Parody’ 작곡 및 안무
싱가포르 ‘제 1회 싱가포르 CONTACT Festival’ ‘Bohemian Parody’ T.H.E Dance Company 공동안무

 

Choreographer KIM Jae-duk

"Forcing yourself to fit under certain rules will eventually blur your identity.
Of course, once you have a strong personality, that many also pressure you to behave in a certain way.
But my point is this: if you can create a new genre, it means that the rules you make are acknowledged by others.
If you have the ability to create a rule, you also have the ability to break down one."
-Interview with Samteo, July 2007

Background


M.F.A. in Dance Performance, School of Dance at Korea National University of Arts Ph.D. Candidate in Dance, School of Arts at Sungkyunkwan University Director of Modern Table-KIM JAE DUK PROJECT Member of LDP(Laboratory Dance Project) (~2013) Associate Choreographer (Overseas Executive Choreographer)r of T.H.E Dance Company in Singapore (Current)

KIM Min-kwan, "ARTS IN" / June 2009

Km Jae-duk's work is spectacular. I couldn't help but to react violently, in a good way, to what I was seeing during the performance.

KIM Ye-rim, "Dance and People" / July 2009

His sense of music stands out among many talented aspects of his work, which is inspired by Korean rhythm. Remarkable energy and audacity that he exudes are worthy of notice.

KIM Seung-hyun, "Choom" / July 2009

The Pan-sori stage set in the middle of the aisle created distinctively descriptive beauty, which was connected to fast paced performance.

SONG Jun-ho, "Weekly Hankuk Magazine" / August 2009

It seems that Kim Jae-duk desires to polish his emotion and share those with his audience. He enjoys his performance with his audience and at the same time tries to build solid artistic universe of his own.

KO Seok-lim, "Dance and People" / September 2009

He is a choreographer with exploding musical talent. That a young man like him is out there actively creating his work is an invaluable contribution to the field of Korean dance…his work is full of wit and enthusiasm.

SIM Jung-min, "Choom" / May 2010

Kim Jae-duk made contemporary re-composition of folksy traditional Korean dance. Added to intense turn, reeling and fastening of Korean dance gestures is refined and urban sense of contemporary dance. His versatile talents that both reach dance and music are evident in this work.

What Critics Say…

Daisuke Muto, "FU PLUS"(Japan)
Among all the contemporary dance projects happening around the world these days, Kim Jae-duk's work grabs my attention the most…his innovative approaches, like reinterpreting Pam-sori as a kind of blues or establishing the company's identity as Korean troubadour , are refreshing. Kim Jae-duk does not just apply the form of traditional culture to his performance but rather grasps the essence of Korean tradition that is grounded in popular mentality of common people, which can be easily understood by contemporary audience as well…He obviously differentiates himself from others; the coexistence of pop culture with "unpopular" contemporary dance is refreshing and at the same time, he does not fail to include his unique interpretation of Korea's culture and history…he takes profound Korean tradition as his object of artistic expression while he tries to form a unique style of choreography. This is what makes him different; unlike the precedents in dance history in which choreographers intentionally tied to "wear" traditional cultural identity in terms of maintaining their nationalist pride, Kim Jae-duk's endeavor is far from this pressure. To him, a set of cultural heritage, Korean history and of inspiration or an archive which provides him with wide array of ideas that he freely choose, interprets and expresses.

Performance


2007
Performed in (choreographed by Mina YU) at Venice Biennale Festival
2008
Choreographed and performed in Just Free 'Darkness PoomBa' hosted by Jung Art Vision at LIG Art Hall Choreographed and performed in 'Simchung GuyZ' at Busan International Dance Festival
2009
Performed in the 9th LDP regular performance Choreographed and performed in at the 28th Modern Dance Festival Choreographed and performed in 'Awake' at CJ Azit Choreographed and performed in 'Darkness PoomBa' at Tokyo Triennale Dance Festival Choreographed and performed in 'Darkness PoomBa' in Winterthur, Switzerland
2010
Choreographed and performed in 'Awake' and 'Darkness PoomBa' at "JAMitneun Performance" Performed in 'RED' at the 10th Anniversary of LDP regular performance Choreographed and performed in 'Darkness PoomBa' at the opening ceremony Of the 10th Indonesian Dance Festival Choreographed and performed in 'Darkness PoomBa' at the 16th ChangMU International Dance Festival
2011
Choreographed and performed in 'Kick' at the Arco Theater Choreographed and performed in 'Darkness Poomba' at 2011 Chuncheon Mime Festival Choreographed and performed in 'Simchung Guyz','Darkness Poomba','Clocker' at Germany 'TANZTAGE ' International Dance Festival Choreographed and performed in 'Awake','Darkness Poomba' at Cena Contemporanea Festival Internacional de Teatro de Brasilia and Columbia Manizlaes Festival Choreographed and performed in 'Joker's Blues','Awake' at The 2011 Festival Tokyo
2012
Composed and choreographed in 'Simphosion' at the 12th LDP Dance Group Annual Performance Choreographed and performed in 'Kick' at Hanpac
2013
Choreographed and performed in 'Darkness Poomba','Awake' at the Janeiro de Grandes Espetaculos Festival Choreographed and performed in 'Sinawi' at 2013 SIDance 'Who's Next?2'

Professional Experience

Invited choreographer and instructor taught 'My Ground' at Taipei National University of Arts
2007 Third prize at the forth Seoul International Dance Competition First prize 'Simchung GuyZ', choreography competition section at the 28th Seoul Dance Festival
2008 Invited lecturer at Ramber Ballet School Prize winner 'Darkness PoomBa' at the third CJ Young Festival
Vocal, original motion picture soundtrack of 'Dream' starring Joe Odagiri and Lee Na-young 2010 The second digital single album of Modern Table Producer, composer and choreographer of a number dance music pieces The Modern Dance Promotion of Korea – Best New Dancer Award
2012 Selected as 2012 Performance Group of the Year at the Jeonju Traditional Performance Festival Celebratory performance at the 20th Foundation Anniversary of Korea National University of Arts (6 months of overall directing, choreography, and composition)